ES with Laure Delmoly. The Kati Bremme & Mathilde Caubel Cover Photo Crit. Obi Onyeador. The Unsplash.The user. The spectator 3.0. The (as) co-creator of storytelling augment reality November 20. The 2020 Reading time. 3 min Share By Jeanne Marchalot. The Innovation Department. The France Televisions. In Petites proses . The Michel Tournier states. “a book always has two authors. the one who wrote it and the one who reads it.
According to the writer The writer and his reader
The the reader is a co-creator The writer and his reader and therefore participates business to consumer database in the co-construction of the story. The reader’s active and potentially multiple reading makes him essential to the very existence of the story. Michel Tournier places the reader at the very center of the creative process in an active and essential role. to the very existence of the story.
The question of narration and storytelling is still
An essential question in the 21st century because human beings 10 tips to improve alignment between marketing and sales always ne a narrator to tell them stories. Simply what changes and goes in the direction of Michel Tournier’s words is his role. from passive. The he wishes to become today an actor in the story. This raises the principle of co-construction in all forms of narration. The and in particular filmic (in the generic sense of the term).
At the same time as cinema and television appear and evolv
The reflection on these mia rais the question of language and. The taiwan lists in fact. The that of the participation of the viewer. The spectator in the dark room is in a state of hypnosis; the viewer in his living room watches a television set (remote viewing).