But during a show, there is an accident. Her partner was unable to catch her during an acrobatic stunt excluded from . Isa/Irina, after a long hospitalization, then begins to make sketches and paint.
Back in Paris, she became the controversial and controversial photographer that we know.
“Always the image of this woman. Her mother came to live there. During the whole second part of her life, with thousands of photographs, Isa will want to reproduce her.”
Transposing, thus sublimating, in this superposition, or rather this fusion, of the imaginary mother and her daughter who served as her model, the act of her father who made his daughter the mother of their child: Isa/Irina. From the green color of the eyes of the mother-doll, and the body of the young girl paralyzed by this
Other with a excluded from gaze devoid of affect
to the invigorating contortionist discipline under the anonymous gaze of the public, the gaze will materialize in the camera, photographic productions that will repeat, duplicate, with Isa/Irina’s accurate cleaned numbers list from frist database own child as a model, the real confusion between daughter and mother, not without her contortions around the bodily void having been stopped dead by the accident.
The trajectory of the gaze, signifier as there are in fact two types of hackers much as real object, will find its ultimate point of impact in the scandal raised by her daughter Eva once she became an adult, after having fled, as a teenager, the maternal delirium.
Philippe Lacadée wanted to be the transmitter of François Augiéras, and he succeeded. His entire book encourages one to delve into the latter’s writing, few works do,
with at its heart The Old Man and the Child
Finally, a word about one of the last chapters of “The Solitary Man”. It is about his meeting with a child, and this meeting, unprecedented, unheard of, very pure, sweetens his life. here is czechia businesses directory a child bringing him flowers! This child allows him to have a face, he becomes the one in which he can see himself, and this imaginary support will bring joy back into his existence.
The latest clinical indication by Rodolphe Adam, Bloom’s enjoyment, will be valuable to us here in order to also approach what is at stake in certain modern our practice as relating to an attempt at capture, or even pure and simple theft, of the image and the gaze of the other.